New year, new website (backend)

It’s a new year, so it must be time for new web connections! Well, I finally decided to shift from a hosted Wordpress site to go all in on micro.blog.

It was fairly easy to migrate, just following the instructions. Things already feel easier and less complicated.

Why did I decide to make this change?

1. I need a simpler system for online writing. It’s been clear for some time that Wordpress was holding me back. I know: “poor workers blame their tools”, and obviously there’s something wrong with me if I can’t just log in to Wordpress and write a line or two from time to time. But really, it felt as though the user interface was presenting a psychological barrier. Every time I logged in it seemed the WordPress UX had got more complex. Anyway, that’s my excuse. I’m hoping that a switch entirely to micro.blog hosting will help the writing to flow a bit better.
2. I like the IndieWeb. Although I had some Indieweb plug-ins set up on my Wordpress site, it didn’t feel as though they were getting much use. The Musky shenanigans at Twitter have made it even clearer that independence on the web is essential and that the true social network is the web itself. Switching to micro.blog will hopefully connect me better, and if I ever change my mind, there’s no lock-in.
3. Updating the app feels like a chore. When I checked my hosting dashboard it was clear that there were several insecurities caused by a lack of updating. I just hadn’t gotten around to it for ages. But really, I don’t have much interest in which version of PHP I’m supposed to be using, or what version the plug-ins are - so I’d rather not think about this side of things. If micro.blog can do this for me, I’m not complaining.
4. I also quite like Mastodon. Micro.blog has a certain amount of compatability with Mastodon, through the activitypub protocol. So I plan to try that out.
5. Writing in Markdown syntax has become more and more intuitive to me, despite its limitations, and I like the relative simplicity of static sites. Micro.blog uses Hugo as its site generator, so now I’m now using Markdown to create static pages.

Look, I’m not really complaining about WordPress. I like it, and Automattic isn’t Apple/Facebook/Google/Twitter/Amazon, so there’s that. If I had to choose a dictator to rule the world, Matt Mullenweg would be on my shortlist. It’s not Wordpress, it’s me. I’m ready for a change.

Writing about reading

Also, I’m making a commitment to writing about my reading in 2023.

I love reading. Each year I read about 30-40 books and this year I’ll be writing about it here. There’ll soon be a ‘reading’ category at the top of the webpage. Why am I doing this?

• for motivation, and
• to leave a record, sharing what I know and
• to encourage you, dear reader, to stop scrolling and go read a good book.

Micro.blog has a series of companion apps, one of which is Epilogue. You can set an annual reading goal and every time you blog about a title you’ve finished, your goal moves one step closer to completion.

Micro.blog also has some other great book-related features, including a handly bookshelf, and this is one of the things that made me want to switch.

I keep a private TiddlyWiki Zettelkasten in which I already reflect on my reading, so the only real change is in making it public.

Don’t panic

So that’s what’s new. But don’t worry, whatever happens I’ll still be writing slowly.

Finished reading: The War of the Poor by Eric Vuillard 📚

This incendiary novella - only 66 pages long - burns so fiercely it felt like a bomb was about to go off in my hand. With amazing economy the author, Eric Vuillard, brings to life the brief, violent career of Thomas Müntzer. He makes the past as vivid as an execution, and renders the urgency of the past fully present. The Peasants' War, so distant in time, is now.

“Müntzer is thirsty, hungry and thirsty, terribly hungry and thirsty, and nothing can sate him, nothing can slake his thirst. He’ll devour old bones, branches, stones, mud, milk, blood, fire. Everything.”

Gripping.

Finished reading: Matrix by Lauren Groff 📚

I found this an intriguing, highly fictional reconstruction of the life of a medieval convent. The version of Marie de France presented here - visionary, heretical, fiercely compassionate - is certainly doing far more than just filling in the gaps in the historical record. The author makes her a really intriguing, though surely anachronistic, character. And in Lauren Groff’s Marie, there’s more than an echo of another medieval mystic, Hildegard of Bingen.

Although I fully approve of lesbian feminist seperatist utopias (which obviously hardly need my approval), I feel Groff has missed an opportunity here to present a politically pursuasive vision. In particular, why did Marie need to build a huge protective labyrinth around her convent, effectively cutting it off from the rest of the world? The medieval Beguine movement of female lay communities, was highly influential and highly urban. It’s an example of real-life utopianism that wasn’t disconnected from the rest of society at all.

Reading this novel has encouraged me to seek out the background historical research, The Care of Nuns, by Katie Bugrys.

Currently reading: The Forest of Wool and Steel by Natsu Miyashita 📚

I love the metaphor of the piano as a living forest, and I’m enjoying the journey of the diffident main character, Tomura, in his apprenticeship as a piano tuner. It’s certainly making me see my own piano in a new light.

Learning and sharing, sharing and learning. It’s a virtuous circle. That’s what I learned, and that’s what I’m sharing.

“it’s not about being credentialed or being an expert, it’s about seeing a space open up, starting to do work that needs doing, sharing your ideas, and sticking around long enough so people show up and you can interact with them in a meaningful way and build something lasting.” Austin Kleon

I think there are four levels of expertise, and everyone is potentially standing on one of these four steps:

• Learn - “Here’s what I’ve learnt.” Curator
• Share - “Here’s what I’ve found.” Expert
• Tell - “Here’s what I’ve done.” Mentor
• Be - “Here’s who I am.” Role model

When someone believes they have no expertise, that doesn’t mean they have nothing useful to say. We often learn best from those who are just one step ahead of us on the learning journey, so telling others, “Here’s what I learned today” may well be really helpful.

Finished reading: Against Creativity by Oli Mould 📚.

This is a critique of everything symbolised by Richard Florida’s Rise of the Creative Class (2002). Supposed individual flexibility, agility and dynamism are just a cover for the destruction of rights at work, leading to increased precarity. Capitalist creativity, in which everyone is supposed to see themself as a “creative”, is an attractive but empty rhetoric that increases the pressure to produce for exploitation. True creativity, on the other hand, involves “an emancipatory force of societal change” (p.46). The author points out that democratic governability is at best an afterthought, when it should be front and centre of consideration. “What if we asked one simple question before any new app, machine-learning algorithm, or smart city infrastructure were created: how can this be used and managed democratically?” (p.196).

The argument of this 2018 book is prescient in relation to the crisis of Twitter and the rise of Mastodon and the Fediverse in 2023. Could people really control their own communications channels, instead of letting petulent billionaires run everything (into the ground)? It’s too early to tell, but the signs are that there’s a new mood of discontent with “Big Social” and a search for more accountable alternatives. As Mould points out, the first step towards change is to start imagining how things could be different.

This book pairs well with Ariel Gore’s very different The Wayward Writer. Early on in this creative writing manual the author quotes Ursula Le Guin:

“We live in capitalism. Its power seems inescapable. So did the divine right of kings. Any human power can be resisted and changed by human beings. Resistance and change often begin in art, and very often in our art, the art of words.”