💬 “We live in a warehouse of casts that have lost their moulds,” - Roberto Calasso, The Marriage of Cadmus and Harmony (1988).

Making meaning where there is none?

Making meaning where there is none

A quote by Italian author Roberto Calasso parallels the enigmatic environment of Piranesi’s world, in a novel where meaning is derived from seemingly disconnected elements.

A photo of a toy train set from @manton brought back a fond memory: The first time I ever used eBay I was clueless and accidentally won three auctions. The result was enough wooden tracks to cross the whole continent.

My kids were delighted. Now In their mid-twenties, they still have some of that haul.

Old trains.

Currently reading: Wanderlust by Rebecca Solnit 📚

I like walking because it is slow, and I suspect that the mind, like the feet, works at about three miles an hour. If this is so, then modern life is moving faster than the speed of thought, or thoughtfulness.

-Rebecca Solnit; Wanderlust: A History of Walking

Useful Australian software? You’re probably thinking of Canva or Atlassian. And who even knows WiFi is Australian? But my favourite Aussie tool by far is Sublime Text, also made… here in Sydney.

I use it to write my #zettelkasten notes.

James Doyle is a fan too: ohdoylerules.com, and there’s a great discussion on Hacker News.

Torches against pitchforks

There’s a great Dave Coverly cartoon of a worried king looking down from the battlements of his castle at an angry crowd massed just below. His relaxed advisor says, “Oh, you don’t need to fight them - you just need to convince the pitchfork people that the torch people want to take away their pitchforks.”

While the people who always use the correct words in just the right tone use up their wrath on the people who sometimes, in their estimation, don’t quite manage to, the real evil stays focused on growing stronger each day.

PS. a lot of conflict online could be addressed with a simple phone call. Yes, we still have that.

PPS. Did I say torches against pitchforks? Maybe I meant OMG.lol against micro.blog

“Libraries will get you through times of no money better than money will get you through times of no libraries.” - Anne Herbert, The Next Whole Earth Catalog (1980), p 331.

Indeed, what’s more punk than the public library? Flaming Hydra

Create a note system that indexes itself

Niklas Luhmann’s Zettelkasten system exemplifies a self-indexing record-keeping method. It allows efficient organization of notes through associative linking rather than through traditional indexing.

Semantic line breaks are a feature of Markdown, not a bug

The adoption of semantic line breaks in Markdown enhances clarity by encouraging writers to isolate each sentence while allowing for visually appealing paragraph formatting. It’s a superpower I didn’t know I had - until now.

💬 “It was mainly a matter of transcribing and rearranging my notes… My notes were like plans for a bridge. Writing the book was like building that bridge.” - John Gregory Dunne, The Studio, 1968.

Maybe you can create coherent writing from a pile of notes after all. writingslowly.com

Sydney Harbour Bridge at night, with a lit-up ferry passing underneath and city lights in the background.

💬“Read Montaigne, read him slowly, carefully! He will calm you . . . Read him from one end to the other, and, when you have finished, try again . . . But do not read, as children read, for fun, or as the ambitious read, to instruct you. No. Read to live.” - Gustave Flaubert

Just what is ‘close reading’, anyway? writingslowly.com

Maybe you can create coherent writing from a pile of notes after all

“My notes were like plans for a bridge”.

I’ve argued that you can’t create good writing just by mashing your notes together and hoping for the best. That’s the illusion of connected thought, I’ve said, because you can’t create coherent writing just from a pile of notes.

Well, maybe I was wrong.

Perhaps a strong or experienced writer can do exactly that. Here’s John Gregory Dunne, the journalist husband of Joan Didion, in the Foreword to his 1968 book on Hollywood, The Studio:

A passage describes John Gregory Dunne's experience writing his book The Studio, likening the predictable process to building a bridge and contrasting it with moments of creative flow. Joining Bare Island to the mainland at La Perouse, Sydney, a wooden bridge extends over a rocky shoreline beside a calm ocean at sunset.

I imagine he wasn’t just a good writer, though.

Surely he was first a very good note-maker.

I’d like to hear about people’s experiences, good and bad, of using their notes to create longer pieces of writing. Was it like building a bridge, or perhaps like building a bridge out of jelly?

a circular cartoon logo of a man tipping his hat on a black background

HT: Alan Jacobs, who draws a different but very valid lesson from the anecdote.


Stay in the Writing Slowly loop and never miss a thing (unless you don’t get round to opening your emails, in which case, yeah, you might miss a thing. Anyway:

Read better, read closer

For anyone seeking clues on better techniques for reading, Scott Newstok, author of How to Think Like Shakespeare, has created a marvelous resource: a close reading archive. Here is where all your close reading questions will be answered, including, what is it? how do you do it? what have people done with it? and does it have a future in a digital age?

Close reading is one of those two-word phrases that seem to take on a life of their own. Anyone connected to the humanities has probably heard of it, but it’s not necessarily well understood. Is it finished? Apparently not. Not at all.

Professor Newstok’s close reading archive is an openly available companion to John Guillory’s cultural history, On Close Reading, published January 2025.

Newstok is also editor of a book on Montaigne’s view of teaching, which is how I discovered Gustave Flaubert’s endorsement of what might perhaps be seen as a kind of close reading avant la lettre1:

“Read Montaigne, read him slowly, carefully! He will calm you . . . Read him from one end to the other, and, when you have finished, try again . . . But do not read, as children read, for fun, or as the ambitious read, to instruct you. No. Read to live.”

A circular area displays the text ON CLOSE READING in bold, black letters against a white background.

Now consider: three ways to make notes while reading.

For even more, please subscribe.


  1. but don’t take my word for it, what do I know? Read the book and the close reading archive. ↩︎

Improve your notes (and your life) with two-word phrases

I’ve been discovering the power of two-word phrases in innovation and branding. This article illustrates their impact through historical examples and modern applications.

Year in books for 2024

Happy New Year!

Here are some of the books I finished reading in 2024.

A System for Writing The Looking-Glass Days at the Morisaki Bookshop Always Will Be Orbital To Be Taught, If Fortunate A Psalm for the Wild-Built Steal Like an Artist: 10 Things Nobody Told You About Being Creative Finding the Heart Sutra: Guided by a Magician, an Art Collector and Buddhist Sages from Tibet to Japan Same Bed Different Dreams The Mountain in the Sea Humanly Possible Yes! No! But Wait...! The Anthem Companion to Niklas Luhmann 27 Essential Principles of Story Writing with Pleasure Ian Gentle James Tell Me Everything

Happy New Year!

Do you have annual reading goals? And do you kep a record of your reading? I posted a little gallery of the books I finished reading in 2024. Micro.blog, the web service I use, is great for this. But it only works if I actually use it! Which is why only some of my reading was captured.

So my reading resolution for 2025 is to be more systematic in recording my reading.

In the past few years I’ve set a target. This has helped me to understand my reading cadence, but now I know it, I don’t really need a target any more. It’s not like there’s a big reward to be had for reading 1000 books a year!

How about you? How do you keep track? What works? And do you have any specific book goals for 2025?

Here’s a fascinating podcast episode about Andrew Hui’s new book. The Study.

“With the advent of print in the fifteenth century, Europe’s cultural elite assembled personal libraries as refuges from persecutions and pandemics. Andrew Hui tells the remarkable story of the Renaissance studiolo–a “little studio”–and reveals how these spaces dedicated to self-cultivation became both a remedy and a poison for the soul.”

newbooksnetwork.com/the-study

I’ve written previously about the ideal creative environment, but the history of the studiolo is new to me.

A book titled "The Study: The Inner Life of Renaissance Libraries" by Andrew Hui is adorned with an ornate red and white cover design.

Zettelkasten anti-patterns

When developing your Zettelkasten, your collection of linked notes, what have you learned not to do?

Mathematician Alex Nelson keeps a paper Zettelkasten, and has posted online about how he does it. He calls this Zettelkasten best practices.

But Nelson also lists some ‘worst practices’ to avoid, which he calls anti-patterns.

So I’m wondering, do you have any other examples of ‘Zettelkasten anti-patterns’ from your own experience?

For reference, here are the ‘anti-patterns’ Nelson identifies. I’m not going to explain these here, though, because you can read the post for yourself:

  • Using the Zettelkasten (or Bibliography Apparatus) as a Database

  • Collecting Reading Notes without writing Permanent Notes

  • Treating Blank Reading Notes as “To Read” list

  • Forgetting to write notes while reading

Are there any more Zettelkasten worst practices, and how have you avoided them?

💬 “Put something on the Web, and do it for free”.

thehistoryoftheweb.com/the-free-…

Here’s one for the #Zettelkasten and #PKM tragics: a dive into the pre-history of ‘atomic notes’.
writingslowly.com/2024/11/2…