Don't make a Zitatsalat out of your writing
Zitatsalat? What does that even mean?
Yes, Zitatsalat. I found this lovely but rarely used German term in the title of a book by the journalist Stephan Maus. The book’s name is Zitatsalat von Hinz & Kunz.
I love the rhyming rhythm of this compound term, but what does Zitatsalat actually mean?
Well, Zitatsalat translates as Quote Salad. It’s not a compliment.
Zitatsalat, by Stephan Maus (2002).
But what’s wrong with quoting other writers?
Hugo shortcodes in micro.blog
Here’s a quick test of Hugo shortcodes. I’ve been reading some tips for making the most of the Hugo web rendering system.
But it turns out I can’t use those ‘box-tip’ shortcodes in micro.blog
More research needed…
Perhaps I can just do the same thing with HTML and styling.
Info! Yes, here’s a basic information box.
…well so much for the styling!
🌊 A blissful Autumn weekend swimming and surfing #pacificwavewednesday
Surf Beach at Kiama, New South Wales
Work as if writing is the only thing that matters
“Work as if writing is the only thing that matters. Having a clear, tangible purpose when you consume information completely changes the way you engage with it. You’ll be more focused, more curious, more rigorous, and more demanding. You won’t waste time writing down every detail, trying to make a perfect record of everything that was said. Instead, you’ll try to learn the basics as efficiently as possible so you can get to the point where open questions arise, as these are the only questions worth writing about. Almost every aspect of your life will change when you live as if you are working toward publication. You’ll read differently, becoming more focused on the parts most relevant to the argument you’re building. You’ll ask sharper questions, no longer satisfied with vague explanations or leaps in logic. You’ll naturally seek venues to present your work, since the feedback you receive will propel your thinking forward like nothing else. You’ll begin to act more deliberately, thinking several steps beyond what you’re reading to consider its implications and potential.”
- Tiago Forte’s summary of How to Take Smart Notes, by Sönke Ahrens
The card index system is ‘a thing alive’ - or is it?
Niklas Luhmann, the famed sociologist of Bielefeld, Germany, wrote of how he saw his voluminous working notes (his ‘Zettelkasten’) as a kind of conversation partner, which surprised him from time to time. But he wasn’t the first to suggest that a person’s notes might be in some sense alive.
At the end of the Nineteenth century there was a massive explosion of technological change which affected almost every aspect of society. People marveled at new invention after new invention and there was a tendency to see mechanical and especially electrical advances as somehow endowed with life. The phonograph, for example, was held to be alive and print adverts even claimed it had a soul.
How to make Mastodon even more fun!
Here are a couple of fun websites that will make Mastodon (and possibly the whole fediverse) even more fun. I know, it hardly seems possible. And if you know of others, please let me know about them too.
Just my toots
Do you sometimes wish you could see all your posts on Mastodon in a long list with no distractions? Of course you do! Every day! That’s why justmytoots.com is here to help. And yes, it shows you just your toots.
For the record, I hate the word ‘toots’.
At least where I live no one thinks of flatulence when they hear it, but still, it somehow manages to sound even more stupid than ‘tweets’, which takes some doing.
Now, above the cacophony of all the tooting I can almost hear you ask, “What’s the alternative?” ‘Posts’, that’s the alternative, and that’s what I’m sticking with. Why not join me, world?
Until then, you can see just my toots at https://justmytoots.com/@writingslowly@aus.social
RSS is dead LOL
Now this one really is cool.
You know how everyone at the Internet always says ‘RSS is dead’, right? It’s so annoying!
But anyway, just type in a fediverse username into rss-is-dead.lol and up pops a list of RSS feeds for that user and every account that account follows.
Its amazing! Nearly everyone I follow has an RSS feed! Wow!
Pretty much proves RSS still ain’t dead. Take that, haters!
Bonus fact: it turns out you can use RSS to ‘boost your productivity’. I don’t know what that phrase means, but it sounds great!
Meanwhile, check out my graph, or whatever you call it, at rss-is-dead.lol.
💬 “The real issue with speed is not just how fast can you go, but where are you going so fast? It doesn’t help to arrive quickly if you wind up in the wrong place.” - Walter Murch, In The Blink of an Eye.
Found at Austin Kleon’s post, Hurry Slowly
How to start a Zettelkasten from your existing deep experience
An organized collection of notes (a Zettelkasten) can help you make sense of your existing knowledge, and then make better use of it. Make your notes personal and make them relevant. Resist the urge to make them exhaustive.
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Don’t build a magnificent but useless encyclopaedia
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Document your journey through the deep forest
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Avoid inert ideas
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Converse about what really matters to you
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Imagine, then build, new knowledge products
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Where (and how) you go is more important than where you start from
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An example
💬"At what point does something become part of your mind, instead of just a convenient note taking device?"
A question discussed with philosopher David Chalmers, on the Philosophy Bites podcast.
🎙️Technophilosophy and the extended mind
So much of this depends on what ‘the mind’ means. Meanwhile, we do seamlessly interact with our note-making tools, to achieve more than we could without them.
Here’s how we journey beyond the ‘hero’s journey’.
Yes, we can be heroes, but does that mean we should be?
Yes really, we can be heroes. Thanks very much David Bowie! But if this sounds attractive, perhaps we should be careful what we wish for.
Do you want to be the hero of your own story? Perhaps you already are
According to reporting in Scientific American, imagining yourself as the hero of your own life gives you an increased sense of meaning.
“Our research reveals that the hero’s journey is not just for legends and superheroes. In a recent study published in the Journal of Personality and Social Psychology, we show that people who frame their own life as a hero’s journey find more meaning in it”.
But it’s not always great to be a hero
Meanwhile, from a quite different research perspective, comes a warning: Stanley and Kay (2023) caution that making people out to be heroic can inadvertently single them out for poor treatment from their peers.
“our studies show that heroization ultimately promotes worse treatment of the very groups that it is meant to venerate.”
Reading this I immediately thought of all those ‘heroic’ health workers who helped their communities through the COVID crisis at great personal cost and with very little long-term recognition (McAllister et al. 2020). In far too many cases, calling doctors, nurses and hospital workers heroes and even super-heroes ended up as quite tokenistic, little more than a way of justifying the exploitation of their labour. First they make you a hero, then they make you burn out.
Banksy’s artwork of a child playing with a nurse ‘superhero’ doll raised more than 16m for charity… but nurses' pay and conditions didn’t take off
Sometimes heroism isn’t what it seems
And here’s yet another, quite different warning: sometimes the person who sets themselves up as a classic hero is revealed to be anything but that. The case of Australian SAS fighter Ben Roberts-Smith is an extraordinary example of the moral jeopardy of a whole society desperate to believe in heroism. It seems this decorated and celebrated ‘war hero’ was really quite the opposite. The cover-up shows how much people want to believe in heroes, even when they don’t exist. This real-life tale has echoes of Beowulf to it. In Maria Dahvana Headley’s contemporary version (2021), the final words of that centuries-old tale ring painfully, bleakly, hollow with macho delusion:
”He rode hard! He stayed thirsty! He was the man! He was the man.”
So can we journey beyond the ‘hero’s journey’ already?
The hero’s journey trope has become so ubiquitous that it’s sometimes hard to remember that there’s any other kind of story. But there certainly is.
- Maureen Murdock (1990) and later Gail Carriger (2020) have both presented feminised versions of the heroic quest narrative. I’m not convinced that these heroine’s journeys are really all that different, though, since they still assume that heroism, albeit that of women, is where it’s at. At least there’s an attempt to re-balance the faulty idea that only men are at the centre.
- The New Yorker published a moving non-fiction account by Laura Secor of an Iranian woman’s bravery. The true story of journalist Asieh Amini doesn’t rely on a standard heroic arc, yet is highly effective. This is only one example of very many alternatives.
- Novelist Becky Chambers points out in a talk on YouTube that real life has no protagonists. Surely this can help us to question stale narrative forms, especially those which claim to be true to reality.
- Meanwhile, Christina de la Rocha is on a noble quest to put an end to the hero’s journey in literature and beyond. OK, not a quest. Perhaps she’d approve of Ursula le Guin’s claim that “the novel is a fundamentally unheroic kind of story”. More on that in a moment.
- Screenwriter Anthony Mullins has written a whole book showing that there’s plenty more than only one kind of character arc.
And author Jane Alison goes even further. In her book Meander, Spiral, Explode she notes that there are far more key patterns in literature than just the arc.
Not every story is a journey
Taking her cue from Joseph Frank’s book The idea of spatial form, and from Peter Stevens’s Patterns in Nature, Alison identifies some alternative or complimentary shapes.
I particularly like her concept of the story that meanders like a river, or ripples in waves and wavelets. These aquatic images remind me of something the former monk and psychotherapist Thomas Moore said about how life itself has a kind of liquidity to it:
“Your story is a kind of water, making fluid the brittle events of your life. A story liquefies you, prepares you for more subtle transformations. The tales that emerge from your dark night deconstruct your existence and put you again in the flowing, clear, and cool river of life.” (Moore, 2004, p. 61)
In his book on spatial form, Joseph Frank examines the structure of Djuna Barnes’s modernist novel, Nightwood. This novel doesn’t have a hero’s journey or a flowing river, but instead has a series of views or glimpses of life. He says:
“The eight chapters of Nightwood are like searchlights, probing the darkness each from a different direction, yet ultimately focusing on and illuminating the same entanglement of the human spirit . . . And these chapters are knit together, not by the progress of any action . . . but by the continual reference and cross-reference of images and symbols which must be referred to each other spatially throughout the time-act of reading.”
This searchlight metaphor is illuminating, but story structure can be yet looser, more diffuse than rivers and spotlights. I’m particularly taken with Ursula Le Guin’s carrier bag theory of fiction. Remember she said the novel is a fundamentally unheroic kind of story? If so then what is it?
“the natural, proper, fitting shape of the novel might be that of a sack, a bag. A book holds words. Words hold things. They bear meanings. A novel is a medicine bundle, holding things in a particular, powerful relation to one another and to us.”
Le Guin’s insight is itself based on the carrier bag theory of human evolution, as described in Elizabeth Fisher’s Women’s Creation (1979).
“The first cultural device was probably a recipient …. Many theorizers feel that the earliest cultural inventions must have been a container to hold gathered products and some kind of sling or net carrier.” 1
Not everyone needs to be a hero to be a valid person. Mostly it’s better when we’re not. And not every story needs to be a hero’s journey for it to be worth the telling. The idea of the hero can be useful in some circumstances, dangerous in others. But more often it just gets in the way. Sometimes it’s really about “complex skills and compassion”. Sometimes it’s less about hunting and more about gathering.
So now, do you still want to be a hero, you hero you?
Now read:
More than ever, embracing your humanity is the way forward
References
Alison, Jane. 2019. Meander, Spiral, Explode. Design and Pattern in Narrative. New York: Catapult.
Barber, Elizabeth Wayland. 1994. Women’s Work: The First 20,000 Years; Women, Cloth, and Society in Early Times. New York, NY: Norton.
Barnes, Djuna. 2006/1937. Nightwood, New York: New Directions.
Carriger, Gail. 2020. The Heroine’s Journey: For Writers, Readers, and Fans of Pop Culture. Gail Carriger LLC.
Fisher, Elizabeth. 1979. Woman’s Creation: Sexual Evolution and the Shaping of Society. 1st ed. Garden City, NY: Anchor Press.
Frank, Joseph. 1991 The Idea of Spatial Form, New Jersey: Rutgers University Press.
Headley, Maria Dahvana. 2021. Beowulf. A New Translation. Melbourne and London: Scribe.
Kaul, Aashish. 2014. Mapping space in fiction: Joseph Frank and the idea of spatial form. 3am Magazine
LeGuin, Kroeber, Ursula. 1989. “The Carrier Bag Theory of Fiction” in Dancing at the Edge of the World. New York: Grove Atlantic Press. Accessed at stillmoving.org/resources…
Margaret McAllister, Donna Lee Brien & Sue Dean (2020) The problem with the superhero narrative during COVID-19, Contemporary Nurse, 56:3, 199-203, DOI: 10.1080/10376178.2020.1827964
Moore, Thomas. 2004. Dark Nights of the Soul. London, UK: Piatkus Books.
Mullins, Anthony. 2021. Beyond the Hero’s Journey: A Screenwriting Guide for When You’ve Got a Different Story to Tell. Sydney, N.S.W: NewSouth Publishing.
Murdock, M. 1990. The Heroine’s Journey. Boston, MA: Shambhala Publications.
Rogers, B. A., Chicas, H., Kelly, J. M., Kubin, E., Christian, M. S., Kachanoff, F. J., Berger, J., Puryear, C., McAdams, D. P., & Gray, K. 2023. Seeing your life story as a Hero’s Journey increases meaning in life. Journal of Personality and Social Psychology, 125(4), 752–778. https://doi.org/10.1037/pspa0000341
Secor, Laura. 2015. War of Words. New Yorker
Stanley, M. L., & Kay, A. C. 2023. The consequences of heroization for exploitation. Journal of Personality and Social Psychology. Advance online publication. https://doi.org/10.1037/pspa0000365
Stevens, P. 1974. Patterns in Nature, New York: Little, Brown & Co.
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See also Elizabeth Wayland Barber (1994) on women’s role in technology, textiles and the string revolution. ↩︎
Give it, give it all, give it now
Looks like you can all relax. Everyone’s ‘pivoting’ these days, so why not Satan? 📷
Mark Luetke shows how he uses a Zettelkasten for creative work (‘zines!)
“The goal here is to create an apophenic mindset - one where the mind becomes open to the random connections between objects and ideas. Those connections are the spark we’re after. That spark is inspiration.”
Atomic notes - all in one place
From today there’s a new category in the navigation bar of Writing Slowly.
‘Atomic Notes’ now shows all posts about making notes.
How to make effective notes is a long-standing obsession of mine, but this new category was inspired by Bob Doto, who has his own fantastic resource page: All things Zettelkasten.
The Atomic Notes category is now highlighted on the site navigation bar.
And if you’d like to follow along with your favourite feed reader,there’s also a dedicated RSS feed (in addition to the more general whole-site feed).1
But if there’s a particular key-word you’re looking for here at Writing Slowly, you can use the built-in search.
And if you prefer completely random discovery, the site’s lucky dip feature has you covered.
Connect with me on micro.blog or on Mastodon. And on Reddit, I’m - you guessed it - @atomicnotes.
See also:
Assigning posts to a new category with micro.blog
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If you’re not sure what website feeds are, see IndieWeb: feed reader and how to use RSS feeds. ↩︎
A new post category in micro.blog, filtered to include existing posts
Micro.blog is a really useful and easy way to host a website. Even though it feels more like a cottage industry than a corporation there are way more features (and apps!) than I can probably use. It’s amazing how much Manton Reece, micro.blog’s creator, has achieved.
Under the hood the micro.blog platform is based on the Hugo static site generator, but there are a few differences. One such difference is post categories.
Here’s a new category being created.
It’s very easy to create a new category of posts, then you can use a filter to automatically add all new posts that include a selected key-word (or emoji, or even html element). By default only new posts are affected. But by running the filter you can also add all previous posts that meet the selected criteria. That’s what I wanted to do.
Once you have a new category, you can add a filter. This particular filter assigns to this new category only long posts with a particular word in the text.
When you run the filter, all existing posts that match will be added to the category. And future posts will be added automatically.
Also, each category gets its own RSS feed, which can be very useful.
This process was much easier than I expected!
More info from elsewhere:
How to overcome Fetzenwissen: the illusion of integrated thought
It’s too easy to produce fragmentary knowledge.
One potential problem associated with making notes according to the Zettelkasten approach is Verknüpfungszwang: the compulsion to find connections. It may be true philosophically that everything’s connected, but in the end what matters is useful or meaningful connections. With your notes, then, you need to make worthwhile, not indiscriminate links.
Another potential problem is Fetzenwissen: fragmentary knowledge, along with the illusion that disjointed fragments can produce integrated thought.
Almost by definition, notes are brief, and I’m an enthusiast of making short, modular, atomic notes. Yes, this results in knowledge presented in fragments. And in their raw form these fragmentary notes are quite different from the kind of coherent prose and well-developed arguments readers usually expect. You can’t just jam together a set of notes and expect them to make an instant essay. So is this fragmentary knowledge really a problem for note-making? If so, how can determined note-makers overcome it?
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Does the index box distort the facts?
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Can you create coherent writing just from a pile of notes?
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Perhaps you should keep your notes private
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Make it flow
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To create coherent writing, make coherent notes
From fragments you can build a greater whole
Everything large and significant began as small and insignificant
This is my working philosophy of creativity and I’m trying to follow it through as best I can. Starting with simple parts is how you go about constructing complex systems.
“A complex system that works is invariably found to have evolved from a simple system that worked. A complex system designed from scratch never works and cannot be patched up to make it work. You have to start over, beginning with a working simple system”. — John Gall (1975) Systemantics: How Systems Really Work and How They Fail, p. 71.
Bits and pieces put together to create a semblance of a whole, by Lawrence Weiner
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Begin with fragments
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From smaller parts build a greater whole
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Join your work together
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Do it seamlessly well
How to decide what to include in your notes
Before the days of computers, people used to collect all sorts of useful information in a commonplace book.
The ancient idea of commonplaces was that you’d have a set of subjects you were interested in. These were the loci - the places - where you’d put your findings. They were called loci communis - common places, in Latin, because it was assumed everyone knew what the right list of subjects was.
But in practice, everyone had their own set of categories and no one really agreed. It was personal.
Since the digital revolution, things have become trickier still. There’s no real storage limit so you could in principle make notes about everything you encounter. But no matter what software you use, your time on this earth is limited, so you need to narrow the field down somehow1.
But how, exactly?
You might consider just letting rip and collecting everything that interests you, as though you’re literally collecting everything.
Lion Kimbro tried to make a map of every thought he had.
As time passes, you’ll notice that you haven’t actually collected everything because that’s completely impossible. Even Thomas Edison, the prolific inventor, wasn’t interested in absolutely everything, although he tried hard to be. If you do a bit of a stock-take of your own notes, you’ll see that, really, you gravitate towards only a few subjects.
These are your very own ‘commonplaces’.
From then on you have two choices.
- If you’ve enjoyed it so far, you can just keep doing what you’ve been doing, collecting all the things. Why not?
- But if you like, you could start doing it more deliberately. For example, at the start of a new year, you could say to yourself: In 2023 I seem to have been interested in a,b, and c. Now in 2024 I want to explore more about b, drop a, and learn about d and e.
You could create an index, with a set of keywords, and add page number references to show what subject each entry is about, and how they relate. Or not. Of course, it’s your collection of notes and you can do whatever pleases you. That’s the point.
Bower birds collect everything, but with one crucial principle.
Where I live we have satin bower birds.
The male creates a bower out of twigs and strews the ground with the beautiful things he’s found. Apparently this impresses the females. The bower can contain practically anything, and it really is beautiful. Clothes pegs, pieces of broken pottery, plastic fragments, bread bag ties, lilli pilli fruit, Lego, electrical wiring, string - even drinking straws, as in the photo above. The male bower bird really does collect everything. But what every human notices immediately is that every single item, however unique, is blue.
I enjoy collecting stuff in my Zettelkasten, my collection of notes, but like the bower bird I have a simple filter. I always try to write: “this interests me because…” and if there’s nothing to say, there’s no point in collecting the item. It’s just not blue enough.
See also:
- How to be interested in everything
- Don’t you need to start with categories?
- It’s tempting to place your notes in fixed categories
- To build something big start with small fragments
- Thoughts are nest-eggs: Thoreau on writing
- This article is adapted from a comment on Reddit
Images:
Sacha Chua Book Summary CC-by-4.0.
Peter Ostergaard, Flickr, CC NC-by 2.0 Deed
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There are exceptions. A few people have tried to video their whole lives. And at least one person, Lion Kimbro, has tried to write down all their thoughts. But its not sustainable. ↩︎
Promethean shame among authors using AI tools:
“It starts to make you wonder, do I even have any talent if a computer can just mimic me?” The Verge